Paul W. Schroeder, America’s Fatal Leap: 1991-2016 and Stealing Horses to Great Applause: The Origins of the First World War Reconsidered – Verso, February 2025, introductions by Perry Anderson

A decisive analytic critique of US foreign policy by one of America’s greatest historians

America’s Fatal Leap deconstructs US geopolitics after the end of the Cold War, informed by its author’s unsurpassed command of modern history. Paul W. Schroeder, an acclaimed historian of international diplomacy, was a conservative and a natural supporter of American leadership in the world. But he wrote scathing op-eds for the National Interest and the American Conservative about the hubris and moral failings of the War on Terror, warning of damaging long-range effects on the international system. Schroeder compared 9/11 to the assassination in Sarajevo that sparked the First World War, insisting that a great power should never give terrorists a war they wanted. He wrote with extraordinary prescience – months before the US launched its attack on the Taliban – of the ‘risks of victory’ in Afghanistan, characterised the war in Iraq as a failed bid for informal empire, and called for ‘disimperialism’ in the Middle East.

America’s Fatal Leap collects Schroeder’s remarkable interventions on America’s adventurism in the Middle East, from the 1991 Gulf War to the Surge of 2007. It includes an Introduction by Perry Anderson, author of US Foreign Policy and Its Thinkers and Ever Closer Union?

Stand-out theoretical and empirical explanation of the origins of the First World War by one of the great historians of international diplomacy

Stealing Horses presents arguably the finest considerations yet of the origins of the First World War. Breaking with accounts which focus on the actions of a single state or the final countdown to hostilities, Paul W. Schroeder describes the systemic crisis engulfing the Great Powers. They were more interested in colonial plunder overseas (‘stealing horses to great applause’, in the old Spanish adage) than the traditional statecraft of European peace-making. Preserving the balance of power required preserving all the essential actors in it, including a tottering Austria-Hungary. This the British in particular failed to recognise. The Central Powers may have started the War but that does not mean they in any real sense caused it. In the end Schroeder recalls the verdict of Shakespeare’s Romeo and Juliet: ‘All are punished’.

Stealing Horses includes appraisals of Niall Ferguson and A. J. P. Taylor, and an extensive unpublished final paper re-thinking the First World War as ‘the last 18th-century war’.