Progressive Geographies

Emilio de Ípola, Althusser, The Infinite Farewell forthcoming from Duke University Press. Few details as yet, except for a glowing review from Warren Montag.

“Emilio de Ípola’s Althusser: the Infinite Farewell is one of the most important books ever written on Althusser, not least because it offers a reading of Althusser from a perspective that is neither European nor North American. De Ípola’s account brings structuralism to life and demonstrates the relevance of structuralism’s questions and problems to our own time. De Ípola suggests that, seen from Latin America, reading and understanding Althusser is not a return to the past, but a confrontation with the most profound contradictions of the present.” — Warren Montag, author of, Althusser and His Contemporaries: Philosophy’s Perpetual War

Laurence Publicover, Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama – the latest volume in the Early Modern Literary Geographies series from OUP.

Focusing on early modern plays which stage encounters between peoples of different cultures, this book asks how a sense of geographical location was created in early modern theatres that featured minimal scenery. While previous studies have stressed these plays’ connections to a historical Mediterranean in which England was increasingly involved, this volume demonstrates how their dramatic geography was shaped through a literary and theatrical heritage.

Reading canonical plays including The Merchant of Venice, The Jew of Malta, and The Tempest alongside lesser-known dramas such as Soliman and Perseda, Guy of Warwick, and The Travels of the Three English Brothers, Dramatic Geography illustrates how early modern dramatists staging foreign worlds drew upon a romance tradition dating back to the medieval period, and how they responded to one another’s plays to create an ‘intertheatrical geography’. These strategies shape the plays’ wider meanings in important ways, and could only have operated within the theatrical environment peculiar to early modern London: one in which playwrights worked in close proximity, in one instance perhaps even living together while composing Mediterranean dramas, and one where they could expect audiences to respond to subtle generic and intertextual negotiations. In reassessing this group of plays, Laurence Publicover brings into conversation scholarship on theatre history, cultural encounter, and literary geography; the book also contributes to current debates in early modern studies regarding the nature of dramatic authorship, the relationship between genre and history, and the continuities that run between the fourteenth and seventeenth centuries.

A guide to close reading – Marika Rose at An und für sich

I’m planning to give my first year undergraduates a worksheet designed to help them engage with the theological and philosophical texts we study during our course. I’ve noticed that a lot of my students struggle to find critical ways into the texts, and I’m hoping that giving them some fairly generic questions to work through will help them find ways in. I’m planning to talk through the list of questions when I hand them out then use them as a basis for some of our seminar discussions over the rest of the semester so that the students can get a handle on how to use them.

Here’s the list of questions I’ve drafted so far; I’d really appreciate any comments/suggestions/wisdom gleaned from other people’s teaching experience, and of course you’re welcome to appropriate these for yourself if they look like they’d help you in your own teaching: [continues here]