Progressive Geographies

Perry Anderson, Disputing Disaster: A Sextet on the Great War – Verso, November 2024

A group portrait of six of the finest historians of the First World War

In Disputing Disaster, Perry Anderson picks out from the highly charged historiography on the First World War one leading historian from each of the major powers that survived the conflagration: Fritz Fischer, famous historian of German war guilt; Pierre Renouvin, a disabled serviceman and preeminent authority on the conflict in France; Luigi Albertini, the Italian newspaper tycoon who, unique among scholars of the Great War, played a part in pitching his country into it; Paul W. Schroeder, the American expert on the system of Europe – an interstate relations and its breakdown in 1914; Keith Wilson, the one radical deviant from a patriotic consensus about Britain’s role in the outbreak of the fighting; and, from Australia (summoned into the war as a dominion), Christopher Clark, acclaimed author of The Sleepwalkers.

Disputing Disaster offers a compelling analysis of the major competing versions of the genesis of the Great War; fresh light on the political background of its leading historians; and a novel synthesis of the determining pressures that brought the conflict to pass.

Patricia Owens, Erased: A History of International Thought Without Men – Princeton University Press, January 2025

The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In Erased, Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the field as scholars, journalists, and public intellectuals—and as heterosexual spouses and intimate same-sex partners.

Drawing on a wide range of archival sources, and weaving together personal, institutional, and intellectual narratives, Owens documents key moments and locations in the effort to forge international relations as a separate academic discipline in Britain. She finds that women’s ideas and influence were first marginalised and later devalued, ignored, and erased. Examining the roles played by some of the most important women thinkers in the field, including Margery Perham, Merze Tate, Eileen Power, Margaret Cleeve, Coral Bell, and Susan Strange, Owens traces the intellectual and institutional legacies of misogyny and racism. She argues that the creation of international relations was a highly gendered and racialised project that failed to understand plurality on a worldwide scale. Acknowledging this intellectual failure, and recovering the history of women in the field, points to possible sources for its renewal.

Natasha Piano, Democratic Elitism: The Founding Myth of American Political Science – Harvard University Press, April 2025

A searing argument—and work of meticulous scholarship—about how American political scientists misinterpreted the elite theory of democracy and in so doing made our political system vulnerable to oligarchic takeover.

Do competitive elections secure democracy, or might they undermine it by breeding popular disillusionment with liberal norms and procedures? The so-called Italian School of Elitism, comprising Vilfredo Pareto, Gaetano Mosca, and Robert Michels, voiced this very concern. They feared that defining democracy exclusively through representative practices creates unrealistic expectations of what elections can achieve, generating mass demoralization and disillusionment with popular government.

The Italian School’s concern has gone unheeded, even as their elite theory has been foundational for political science in the United States. Democratic Elitism argues that scholars have misinterpreted the Italians as conservative, antidemocratic figures who championed the equation of democracy with representative practices to restrain popular participation in politics. Natasha Piano contends not only that the Italian School’s thought has been distorted but also that theorists have ignored its main objective: to contain demagogues and plutocrats who prey on the cynicism of the masses. We ought to view these thinkers not as elite theorists of democracy but as democratic theorists of elitism.

The Italian School’s original writings do not reject electoral politics; they emphasize the power and promise of democracy beyond the ballot. Elections undoubtedly are an essential component of functioning democracies, but in order to preserve their legitimacy we must understand their true capacities and limitations. It is past time to dispel the delusion that we need only elections to solve political crises, or else mass publics, dissatisfied with the status quo, will fall deeper into the arms of authoritarians who capture and pervert formal democratic institutions to serve their own ends.

Stephen D’Arcy, Frege and Fascism – Routledge, December 2024

This book is the first to examine in minutiae the politics of Gottlob Frege (1848–1925), and his connections with various traditions of far-right and fascist thought.

Frege was a philosopher of logic, language, and mathematics. But he also believed that one could reconcile the politics of the far right with a firm commitment to reason-guided inquiry and scientific objectivity. The fundamental claim of the text is that Gottlob Frege was, from the early 1890s to the mid-1920s, an anti-democratic, nationalist political thinker and that his political thought eventually took on a fascist character. This book makes no attempt to vilify or demonize Gottlob Frege, nor does it try to rescue him from criticism. It simply seeks to tell the truth about Frege’s descent into fascism: to document it in hitherto unprecedented detail; to situate it in the context of intellectual and political debates in early Weimar-era Germany; and to explain how it could have happened that someone so intelligent and so manifestly devoted to reason and logic could have embraced fascism with such unreserved enthusiasm.

Frege and Fascism will be of interest to scholars of analytic philosophy, intellectual history, fascism, and anti-democratic thought.

I am pleased to say that the recordings for the British Academy conference “Futures of Critique in a Pluricentric World” (July 12-13, 2024) are now available on the YouTube channel of the Centre for Philosophy and Critical Thought at Goldsmiths:

Foucault News update: Bibliography of Foucault’s shorter works in English translation (2024)

The Bibliography of Foucault’s shorter works in English translation which is maintained by Daniele Lorenzini and hosted on this site [Foucault News] has been updated.

As always if you notice anything missing please either post in the comments on the page or email Daniele Lorenzini directly.

Florian Illies, The Magic of Silence: Caspar David Friedrich’s Journey Through Time, trans. Tony Crawford, Polity, November 2024

No German painter evokes such strong emotions as Caspar David Friedrich: his evening skies remain icons of longing, his mountain vistas testaments to the grandeur of nature.  He inspired Samuel Beckett to write Waiting for Godot and Walt Disney to create Bambi. Goethe, however, was so enraged by the enigmatic melancholy of Friedrich’s paintings that he wanted to smash them on the edge of a table.

In a sweeping journey through time, bestselling author Florian Illies tells the story of Friedrich’s paintings and their impact on subsequent generations.  Many of his most beautiful paintings were burned, first in his birthplace and then in World War II; others, like the Chalk Cliffs on Rügen, emerge from the mists of history a hundred years after Friedrich’s death. Illies recounts the story of how Friedrich’s paintings ended up at the Russian czar’s court, others among a pile of winter tires in a Mafia car repair shop, and others still in the kitchen of a German social housing apartment.  Adored by Hitler and Rainer Maria Rilke, despised by Stalin and by the generation of 68, this compelling narrative dances through 250 years of history as seen through Friedrich’s art and life. As a result, the man himself becomes flesh and blood before our very eyes.

Daniel Wortel-London, The Menace of Prosperity: New York City and the Struggle for Economic Development, 1865–1981 – University of Chicago Press, July 2025

Upends entrenched thinking about cities, demonstrating how urban economies are defined—or constrained—by the fiscal imagination of policymakers, activists, and residents.
 
Many local policymakers make decisions based on a deep-seated belief: what’s good for the rich is good for cities. Convinced that local finances depend on attracting wealthy firms and residents, municipal governments lavish public subsidies on their behalf. Whatever form this strategy takes—tax-exempt apartments, corporate incentives, debt-financed mega projects—its rationale remains consistent and assumed to be true. But this wasn’t always the case. Between the 1870s and the 1970s, a wide range of activists, citizens, and intellectuals in New York City connected local fiscal crises to the greed and waste of the rich. These figures saw other routes to development, possibilities rooted in alternate ideas about what was fiscally viable.
 
In The Menace of Prosperity, Daniel Wortel-London argues that urban economics and politics are shaped by what he terms the “fiscal imagination” of policymakers, activists, advocates, and other figures. His survey of New York City during a period of explosive growth shows how residents went beyond the limits of redistributive liberalism to imagine how their communities could become economically viable without the largesse of the wealthy. Their strategies—which included cooperatives, public housing, land-value taxation, public utilities, and more—centered the needs and capabilities of ordinary residents as the basis for local economies that were both prosperous and just.
 
Overturning stale axioms about economic policy, The Menace of Prosperity shows that not all growth is productive for cities. Wortel-London’s ambitious history demonstrates the range of options we’ve abandoned and hints at the economic frameworks we could still realize—and the more democratic cities that might result.