Sasha Engelmann, Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices – Routledge, September 2020

Sasha Engelmann, Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices – Routledge, September 2020

This book engages artistic interventions in the aerial elements to investigate the aesthetics and politics of atmosphere.

Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices traces the potential of artistic, community-driven experiments to amplify our sensing of atmosphere, marrying attentions to atmospheric affect with visceral awareness of the materials, institutions and processes hovering in the air. Drawing on six years of practice-led research with artistic and activist initiatives Museo Aero Solar and Aerocene, initiated by artist Tomás Saraceno, each chapter develops creative relations to atmosphere from the studio to stratospheric currents. Through narrative-led writing, the voices of artists and collaborators are situated and central. In dialogue with these aerographic stories and sites, the book develops a notion of elemental lures: the sensual and imaginative propositions of aerial, atmospheric and meteorological phenomena. The promise of elemental lures, Engelmann suggests, is to reconcile our sensing of atmosphere with the myriad social, cultural and political forces suspended in it. Through tales of floating journeys, shared envelopes of breath and surreal levitations, the book foregrounds the role of art in crafting alternative modes of perceiving, moving and imagining (in) the air.

The book ends with a call for elemental experiments in the geohumanities. It makes an important and original contribution to elemental geographies, the geohumanities and interdisciplinary scholarship on air and atmosphere.

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Stuart Hall, Selected Writings on Marxism, Duke University Press, 2021 (open access introduction by Gregor McLennan)

Stuart Hall, Selected Writings on Marxism, Duke University Press, 2021 – the introduction by Gregor McLennan is open access here

Throughout his career Stuart Hall engaged with Marxism in varying ways, actively rethinking it to address the political and cultural exigencies of the moment. This collection of Hall’s key writings on Marxism surveys the questions central to his interpretations of and investments in Marxist theory and practice. It includes Hall’s readings of canonical texts by Marx and Engels, Gramsci, and Althusser; his exchanges with other prominent thinkers about Marxism; his use of Marxist frameworks to theorize specific cultural phenomena and discourses; and some of his later work in which he distanced himself from his earlier attachments to Marxism. In addition, editor Gregor McLennan’s introduction and commentary offer in-depth context and fresh interpretations of Hall’s thought. Selected Writings on Marxism demonstrates that grasping Hall’s complex relationship to Marxism is central to understanding the corpus of his work.

This is part of Hall’s Selected Works. As previously posted, Selected Writings on Race and Difference, edited by Paul Gilroy and Ruth Wilson Gilmore is also published at the same time. The open access introduction by Paul Gilroy is here.

[updated to correct the spelling of the editor’s name, with apologies]

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BBC Radio 3 Free Thinking ‘Foucault: The History of Sexuality, Volume 4’ – Shahidha Bari with Lisa Downing, Stuart Elden and Stephen Shapiro, 25 February 2021

This discussion was broadcast last night, and is available to listen here – and download here.

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BBC Radio 3 Free Thinking – ‘Foucault: The History of Sexuality, Volume 4‘ – Shahidha Bari with Lisa Downing, Stuart Elden, and Stephen Shapiro, 25 February 2021, 10pm (and new available online)

On the day the final volume of The History of Sexuality is published in English, over 36 years after Foucault’s death in 1984, Shahidha Bari and her panel assess its influence.

Shahidha Bari is joined by Lisa Downing, Stuart Elden, and Stephen Shapiro to look volume 4 of Foucault’s History of Sexuality at, translated into English for the first time, which examines beliefs and practices among the early Christians in Medieval Europe. Although he had specified in his will that his works shouldn’t be published after he died (in 1984), the rights holders of Foucault decided that these ideas could now be made public. So what do they tell us and how influential has his…

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Michael J. Shapiro, Writing Politics: Studies in Compositional Method – Routledge, June 2021

Michael J. Shapiro, Writing Politics: Studies in Compositional Method – Routledge, June 2021

Writing Politics is a methods book designed to instruct on politically focused literary inquiry.

Exploring the political sensibilities that arise from the way literary fiction re-textualizes historical periods and events, the book features a series of violence-themed inquiries that emphasize forms of writing as the vehicles for politically attuned historiography. Each investigation treats the way the literary genre, historiographic metafiction enables political inquiry. It’s a form of writing that inter-articulates history and fiction to rework a textual past and unsettle dominant understandings of events and situations. Central to the diverse chapter are fictional treatments of authoritarian, fascist, or zealous mentalities. Featured, for example, are Radovan Karadzic (the architect of the Bosnian genocide), Reinhard Heydrich (the architect of the Holocaust’s “final solution”), and the Trotsky assassin Ramon Mercader.

Michael J. Shapiro has produced another original and sophisticated bookshelf staple; the only contemporary investigation in Political Studies that instructs on method in this way.

“Michael J. Shapiro’s novel method of bringing fiction to bear upon the question of the political is sure to explode the limits of traditional social-scientific discourses, modes of aesthetic inquiry, and the uncertain relation between them. With impressive interdisciplinary scope and the author’s characteristic exactitude, Writing Politics: Literary Method and Political Theory incisively renders literature’s potential for resistance or radical subversion in the face of the worst instances of mass violence. This is a welcome and refreshing addition to the long-standing and ever-renewing problem of the politics of form.”

Nathan Gorelick, Associate Professor, Utah Valley University

Writing Politics builds on Mike Shapiro’s formidable body of transdisciplinary scholarship to carefully de-reify and refigure the notion of violence for political thinking. Examining aesthetic explorations of historically situated forms of violent mentalities, this essential book broadens the methodological capacity of political analysis and sharpens our ability to critique violence in our contemporary circumstances.”

Matt Davies, Newcastle University and Pontifícia Universidade Católica do Rio de Janeiro

“Mike Shapiro exemplifies the master’s sensitivity needed to approach novels as sites for political experimentation, to interrogate political being, and to explore opportunities for the re-textualisation of history. Writing Politics sensitises us through the Barthes-inspired approach of writerly-reading, where as readers, we become the producers of text (thought). True to his erudite and pedagogical style, Shapiro prioritises the imagination of the reader as the vehicle for thought. Highly recommended as fundamental methodology for Political Scientists and students of power.”

Luis Lobo-Guerrero, Professor of History and Theory of International Relations, University of Groningen

“Writing Politics, a timely meditation on authoritarian and fascist rhetoric conducted via an examination of the under-recognized genre of historiographic metafiction, is at the same time what has traditionally been called a defense of poetry—an argument that the devices of literary fiction often get to the heart of political matters in a way that social and psychological theory cannot. It is provocative, deeply thoughtful, and brilliantly executed.”

John Rieder, University of Hawaii

“In Writing Politics Shapiro discusses the power of writing focusing on “mentalities” and the production of intimate violence in the examples spanning from the Balkan war, the Holocaust, to assassinations. Combining literary works – concerned with how events are experienced – and political theory, Shapiro showcases the power of his method. Here philosophical ideas turn from dry concepts to rich reservoirs of emotions, complexities and layers of character enriching social and political analysis. Writing Politics is an outstanding book written in Shapiro’s unique style.”

Andreja Zevnik, Senior Lecturer in International Politics, University of Manchester

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Michael J. Shapiro, The Phenomenology of Religious Belief: Media, Philosophy, and the Arts – Bloomsbury, June 2021

Michael J. Shapiro, The Phenomenology of Religious Belief: Media, Philosophy, and the Arts – Bloomsbury, June 2021

In The Phenomenology of Religious Belief, the renowned philosopher Michael J. Shapiro investigates how art – and in particular literature and film – can impact upon both traditional interpretations and critical studies of religious beliefs and experiences. 

In doing so, he examines the work of prolific and award-winning writers such as Toni Morrison, Philip K. Dick and Robert Coover. By placing their work in conjunction with critical analyses of media by the likes of Ingmar Bergman and Pier Paolo Pasolini and combining it with the work of groundbreaking thinkers such as George Canguilhem, Giorgio Agamben and Slavoj Žižek, Shapiro takes a truly interdisciplinary approach to the question of how life should be lived. His assessment of phenomenological subjectivity also leads him to question the nature of political theology and extend the criticism of Pauline theology.

““Who is eligible to enter the inexhaustible conversation about how to experience life”? asks Michael Shapiro in this brilliant and wide-ranging book. Like a 21st century William James, Shapiro restages traditional questions of theology in connection with theatricality, cinema, and phenomenology. Focused on “media-involved disruptive events, either actual or imagined,” Shapiro moves from scenes of personal despair to worldly challenges like climate change. Following an itinerary both quirky and necessary, the Phenomenology of Religious Belief is a must-read for those working in religious studies, political theory, cinema studies, and phenomenology.” –  Bonnie Honig, Nancy Duke Lewis Professor, Modern Culture and Media (MCM) and Political Science, Brown University, USA

“In this book, apostle Paul, Ingmar Bergman, Philip Dick, and William James hold dialogues about theophanies and the will to believe. Participating in their unexpected encounters brings striking insights in how genres and media impact narratives of religious experience and situate religious communities. A seminal approach to phenomenology of belief.” –  Martin Nitsche, Institute of Philosophy, Czech Academy of Sciences, Prague

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Foucault and Christianity – an online citation resource from Niki Kasumi Clements

Foucault and Christianity – a really interesting online resource from Niki Kasumi Clements, as part of the research for her book Foucault the Confessor.

As part of my research on Michel Foucault’s engagement with early Christian texts, I have been tracing his citational practices from 1974-1984 through his published works; gradually I will include citations from Foucault’s meticulous notes in his archives at the Bibliothèque nationale de France. The 2018 posthumous publication, L’Histoire de la sexualité IV: Les aveux de la chair, edited by Frédéric Gros, is included; the 2021 translation by Robert Hurley, Confessions of the Flesh, contributes to the need to understand Foucault’s complex navigation of Christian texts and practices.

Currently processing the textual references Foucault makes to mainly early Christian texts in his monographs and Collège de France lectures between 1974 and 1984, the following dynamic data visualizations were built in Python by the Center for Research Computing at Rice University. Foucault’s works are on the left, leading to (mostly) ancient Christian authors in the middle, leading to cited works of those authors on the right. The number of connections across years and the density of citations are both important.

See also this tweet and the followup thread explaining the project and its uses.

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Klaus Dodds, Border Wars: The Conflicts that will Define our Future – Ebury Press, February 2021

Now published – Klaus Dodds, Border Wars

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Klaus Dodds, Border Wars: The Conflicts that will Define our Future – Ebury Press, February 2021

Can Donald Trump really build that wall? What does Brexit mean for Ireland’s border? And what would happen if Elon Musk declared himself president of the Moon?

InBorder Wars, Professor Klaus Dodds takes us on a journey into the geopolitical conflict of tomorrow in an eye-opening tour of the world’s best-known, most dangerous and most unexpected border conflicts from the Gaza Strip to the space race.

Along the way, we’ll discover just what border truly mean in the modern world: how are they built; what do they mean for citizens and governments; how do they help understand our political past and, most importantly, our diplomatic future?

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Daniel Heller-Roazen, Absentees: On Variously Missing Persons – Zone books, March 2021

Daniel Heller-Roazen, Absentees: On Variously Missing Persons – Zone books, March 2021

In thirteen interlocking chapters, Absentees explores the role of the missing in human communities, asking an urgent question: How does a person become a nonperson, whether by disappearance, disenfranchisement, or civil, social, or biological death? Only somebody can become a “nobody,” but, as Daniel Heller-Roazen shows, the ways of being a nonperson are as diverse and complex as they are mysterious and unpredictable. Heller-Roazen treats the variously missing persons of the subtitle in three parts: Vanishings, Lessenings, and Survivals. In each section and with multiple transhistorical and transcultural examples, he challenges the categories that define nonpersons in philosophy, ethics, law, and anthropology. Exclusion, infamy, and stigma; mortuary beliefs and customs; children’s games and state censuses; ghosts and “dead souls” illustrate the lives of those lacking or denied full personhood. In the archives of fiction, Heller-Roazen uncovers figurations of the missing — from Helen of Argos in Troy or Egypt to Hawthorne’s Wakefield, Swift’s Captain Gulliver, Kafka’s undead hunter Gracchus, and Chamisso’s long-lived shadowless Peter Schlemihl. Readers of The Enemy of All and No One’s Ways will find a continuation of those books’ intense intellectual adventures, with unexpected questions and arguments arising every step of the way. In a unique voice, Heller-Roazen’s thought and writing capture the intricacies of the all-too-human absent and absented.

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Stuart Hall, Selected Writings on Race and Difference – Duke University Press, April 2021 (and open access introduction by Paul Gilroy)

Stuart Hall, Selected Writings on Race and Difference, edited by Paul Gilroy and Ruth Wilson Gilmore – Duke University Press, 2021 (and open access introduction by Paul Gilroy)

In Selected Writings on Race and Difference, editors Paul Gilroy and Ruth Wilson Gilmore gather more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora. Spanning the whole of his career, this collection includes classic theoretical essays such as “The Whites of Their Eyes” (1981) and “Race, the Floating Signifier” (1997). It also features public lectures, political articles, and popular pieces that circulated in periodicals and newspapers, which demonstrate the breadth and depth of Hall’s contribution to public discourses of race. Foregrounding how and why the analysis of race and difference should be concrete and not merely descriptive, this collection gives organizers and students of social theory ways to approach the interconnections of race with culture and consciousness, state and society, policing and freedom.

The Introduction by Paul Gilroy is open access here. Thanks to dmf for the link. This book is part of the series of Hall’s Selected Works. Selected Writings on Marxism is also forthcoming in April.

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Hilary Angelo, How Green Became Good: Urbanized Nature and the Making of Cities and Citizens – University of Chicago Press, February 2021

Now published – Hilary Angelo, How Green Became Good: Urbanized Nature and the Making of Cities and Citizens – University of Chicago Press, February 2021

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AngeloHilary Angelo, How Green Became Good: Urbanized Nature and the Making of Cities and Citizens – University of Chicago Press, February 2021

As projects like Manhattan’s High Line, Chicago’s 606, China’s eco-cities, and Ethiopia’s tree-planting efforts show, cities around the world are devoting serious resources to urban greening. Formerly neglected urban spaces and new high-end developments draw huge crowds thanks to the considerable efforts of city governments. But why are greening projects so widely taken up, and what good do they do? In How Green Became Good, Hillary Angelo uncovers the origins and meanings of the enduring appeal of urban green space, showing that city planners have long thought that creating green spaces would lead to social improvement. Turning to Germany’s Ruhr Valley (a region that, despite its ample open space, was “greened” with the addition of official parks and gardens), Angelo shows that greening is as much a…

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