The others relate to the Indo-European thought project, or some planned ‘Sunday History’ posts. Despite its title of The Eliade Guide to World Religions, and his co-author credit, the actual author was Ioan Culianu (or Couliano), on whose murder I write about here.
Honouring the memory of the late Bernard Stiegler, this edited collection presents a broad spectrum of contributions that provide a complex and coherently articulated image of Stiegler’s thought which reached beyond the boundaries of academic, artistic and experimental techno-scientific enclaves where it had been originally received.
Stiegler’s philosophical work encompassed theorization, social diagnosis, planning, practical and territorial experimentation, politics, and aesthetics. In its wake, the essays in this volume celebrate and explore the wealth of this multi-dimensional legacy. They examine the conditions of human life in general, its foundational intermittence, and carry forward Stiegler’s post-phenomenological unfolding of the distinctive spatio-temporalities that weave together the epoch we call ‘present’. Engaging closely with Stiegler’s original impetus for the creation of technologies of care, as well as of communities of knowledge and artistic practice,
A consideration of literary geography as a specialist academic field.
Interspatiality is a book about the language, theory, and practice of a literary geography which takes as its subject matter the inseparability of writing, reading, and living. It explores ways of engaging with interrelated textual-social-spatial processes, working with the problem of how to appreciate these processes as inseparable; how to articulate the complex spatialities they generate; and how to convey their presence, power, and significance in literary texts. By focusing on literary geography as something inhabited as well as studied, it draws attention to the interspatiality of routine daily life.
Through stories, conversations, and essays, this book pursues interwoven critical and philosophical inquiries into the nature of the contemporary in the North Atlantic, asking how are we to live as intellectuals, individually and in community?
Social Thought From the Ruins: Quixote’s Dinner Party is the product of informal discussion and academic work done over the last two decades among an international group of social scientists. An extended critique of academic life today and the context of our own thinking, this book interrogates aspects of our modernity, with its pervasive sense of crisis and uncertainty, and the difficulty of thinking clearly about things like the state and power, data and violence. Reflecting that the United States, indeed the North Atlantic countries, seem to have entered autumn, David A. Westbrook asks what spring might be. Will the critical social sciences have anything to offer the exercise of power, or are we doomed to incessant and ineffectual critique? Can bureaucracy be made at least more accountable, if not democratic? Conversely, can we feel less alienated from the structures of power that rule us, or that fail to govern at all? Can we feel at home?
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.
Fresh offerings on world mapping beyond Western conventions.
This strikingly colorful volume contends that modern mapping has never been sufficient to illustrate the complex reality of territory and political sovereignty, whether past or present. For Territorial Imaginaries, editor Kären Wigen has assembled an impressive slate of experts, spanning disciplines from political science to art history, to contribute perspectives and case studies covering three main themes: mapping before the nation-state, rethinking and critiquing mapping practices, and robust traditions of counter-cartography.
Each contributor proposes alternative ways to think about mapping, and the essays are supported with rich archival documentation. Among the far-reaching case studies are Barbara Mundy’s cartographic history of Indigenous dispossession in the Americas, Peter Bol’s examination of two Chinese maps created five hundred years apart, and Ali Yaycıoğlu’s exploration of tensions between top-down and bottom-up mapping of Habsburg and Ottoman border claims.
Offers a holistic approach to Michel Foucault’s thought, introducing the idea of practical philosophy as an original interpretative framework.
Michel Foucault’s thought, Maddalena Cerrato writes, may be understood as practical philosophy. In this perspective, political analysis, philosophy of history, epistemology, and ethics appear as necessarily cast together in a philosophical project that aims to rethink freedom and emancipation from domination of all kinds. The idea of practical philosophy accounts for Foucault’s specific approach to the object, as well as to the task of philosophy, and it identifies the perspective that led him to consider the question of subjectivity as the guiding thread of his work. Overall, Cerrato shows the deep consistency underlying Foucault’s reflection and the substantial coherence of his philosophical itinerary, setting aside all the conventional interpretations that pivot on the idea that his thought underwent a radical “turn” from the political engagement of the question of power toward an ethical retrieval of the question of subjectivity.
In the mid-twentieth century, Cold War liberalism exerted a profound influence on the US state, US foreign policy, and liberal thought across the North Atlantic world. The essays in this volume examine the history of this important ideology from a variety of perspectives. Whereas most prior works that analyze Cold War liberalism have focused on small groupings of canonical intellectuals, this book explores how the ideology transformed politics, society, and culture writ large. From impacting US foreign policy in the Middle East, to influencing the ideological contours of industrial society, to reshaping the urban landscape of Los Angeles, Cold War liberalism left an indelible mark on modern history. This collection also illuminates the degree to which Cold War liberalism continues to shape how intellectuals and policymakers understand and approach the world.
In this ambitious new work, eco-philosopher and cultural theorist Adrian Ivakhiv presents an incisive new way of thinking about images and imagination. Drawing upon an immense range of materials, Ivakhiv reassesses the place of imagination in cultural life, analyzing how people have interacted with images in the past and the ways that digital media are profoundly altering these relationships today. The book contributes powerfully to the study of visual culture and digital media, and provides provocative interpretations of a range of important artists and media movements: from the work of photographer Edward Burtynsky, the ambitious multi-screen installations of John Akomfrah, the abstract art of Swedish spiritualist Hilma af Klint, and the Afrofuturism of jazz musicians like Sun Ra and poet Alexis Pauline Gumbs, to the ever-expanding universe of animal videos on YouTube. Along the way, the book delves into animacy and religious imagery, iconophilia and iconoclasm, divination and prophecy, “truthiness” and “enchantment networks,” online communities and artificial intelligence, the political and affective economies of digital media, and the role of utopian futurism in the present “climate-colonial Anthropocene” predicament. The result is a vital contribution toward a more empowering conception of the creative imagination and its possibilities in today’s emerging digital ecology.
Nicholas Allen, Late Heaney – Oxford University Press, January 2026
Late Heaney follows Seamus Heaney through the landscapes, friendships and events that shaped his last four collections, The Spirit Level, Electric Light, District and Circle, and Human Chain, all set in conversation with his work at large. Heaney’s later life was a time of transformative change and achievement. He was awarded the Nobel Prize in Literature in 1995, after which he became a writer of global standing. This book grounds that experience in the history and geography of the places he wrote about, with an eye to the artists who influenced him and the people he knew.
Late Heaney draws a line from the waterlands of Lough Neagh to the olive groves of Greece, inviting the reader to think about time and belonging in context of art and memory. Later, Heaney began to imagine himself as a witness at the riverbank between life and death, an image that features powerfully in his final poems. Late Heaney follows the poet there, finding light in the dark, and company among the shades.
Through analysis of political events in Madrid, Spain, this book explores what the figure of the neighbour can tell us about the current political conjuncture and interrogates the possibilities it offers for imagining new, and more just, forms of political community.
The book traces the emergence of contemporary forms of neighbouring through social formations and moments of crisis in Spain. Its analysis provides insights into how neighbouring has been envisaged and contested. It reveals both changing conceptions of space and community while underlining how previous conflicts reverberate in the physical landscape, ideas and memories which inform contemporary political interventions.
