Marianne Janack, María Pía Lara, Eduardo Mendieta, and Martin Woessner – A Forum on Richard Rorty in the Los Angeles Review of Books
AFTER DONALD J. TRUMP was elected president of the United States, the American philosopher Richard Rorty (1931–2007) returned to the pages of many of the major newspapers of the world as one of the few thinkers who had predicted the election of a “strongman” with Trump’s homophobic and racist features. The relevant passage can be found in the lectures Rorty delivered on the history of leftist thought in 20th-century America at Harvard University in 1997, and published as Achieving Our Country a year later. While reprints of this book were hitting several political philosophy best seller lists, Rorty’s Page-Barbour lectures — titled Philosophy as Poetry — were also released. If in Achieving Our Country, Rorty predicted the election of a right-wing populist, in the latter he stresses how valuable the imagination is for the future of philosophy, which is, in many ways, an imperiled discipline. Although these are not his most important books, they indicate that Rorty was a philosopher ahead of his time, a philosopher for the future.
The goal of this forum is not simply to remember Rorty 10 years after he passed away on the June 8, 2007, but also to continue the conversation which he urged all philosophers to pursue. I have invited Marianne Janack, María Pía Lara, Eduardo Mendieta, and Martin Woessner to cover specific aspects of Rorty’s thought, including feminism, social hope, and post-truth. Their concise contributions underscore the significance of Rorty’s writings for the 21st century. My introduction recalls important moments of the American thinker’s life as well as his outstanding contribution to continental philosophy.
— Santiago Zabala
Earlier this week it was announced that Michelle Terry had been appointed as the new artistic director of Shakespeare’s Globe. This follows the premature end to Emma Rice’s time in that role (which I reported and briefly commented on last year). Terry is a fine actress and I’ve seen her in a few productions – as Rosalind in As You Like It at the Globe, in the RSC’s pairing of Love’s Labour’s Lost and Love’s Labour’s Won (a retitled Much Ado About Nothing), and as Henry V in Regent’s Park. She’s a largely unknown quantity as a director, so this will be interesting to watch.
Adam Kotsko interview in The Revealer – 
The Guardian has an interesting and disturbing feature on ‘
Remigiusz Ryziński 
Marcus Doel’s book 
