The third and final volume of Peter Sloterdijk’s Spheres, Foams, is forthcoming in September 2016 from Semiotext(e).
Foams completes Peter Sloterdijk’s celebrated Spheres trilogy: his 2,500-page “grand narrative” retelling of the history of humanity, as related through the anthropological concept of the “Sphere.” For Sloterdijk, life is a matter of form, and in life, sphere formation and thought are two different labels for the same thing. The trilogy also together offers his corrective answer to Martin Heidegger’s Being and Time, reformulating it into a lengthy meditation of Being and Space—a shifting of the question of who we are to a more fundamental question of where we are.
In this final volume, Sloterdijk’s “plural spherology” moves from the historical perspective on humanity of the preceding two volumes to a philosophical theory of our contemporary era, offering a view of life through a multifocal lens. If Bubbles was Sloterdijk’s phenomenology of intimacy, and Globes his phenomenology of globalization, Foams could be described as his phenomenology of spatial plurality: how the bubbles that we form in our duality bind together to form what sociological tradition calls “society.” Foams is an exploration of capsules, islands, and hothouses that leads to the discovery of the foam city.
The Spheres trilogy ultimately presents a theology without a God—a spatial theology that requires no God, whose death therefore need not be of concern.
As with the two preceding volumes, Foams can be read on its own or in relation to the rest of the trilogy.
Thanks to Chathan Vemuri for the link. I’ve updated my reading guide to Sloterdijk with a link to this work. (Incidentally, I’m not sure why ‘foams’, since ‘foam’ is already plural…)
Stuart Hall (1932–2014) is widely acknowledged as one of the foremost cultural theorists and public intellectuals of the late twentieth century. Though circulated, read, and taught for decades, Hall’s seminal essays are widely dispersed, with many pieces out of print or difficult to find. A new Duke University Press book series 
Jacques Bidet, 
Good cover, though it does remind me of Peter Hammill’s album The Future Now from 1978…
