
Lots of work over the past two days on this second Foucault manuscript. In particular, the introduction is restructured, some parts rewritten and some new discussion. I say a bit more about the sources worked with, and the argument and approach up front; and then a bit more on the period to be discussed, both in range of topics, types of work and styles of output at the end. There is also a little more discussion of the manuscript of the first version of The Archaeology of Knowledge, though a detailed discussion will have to wait for a project on the 1960s Foucault. I’ve also written a few more lines into the conclusion, both summarising things and expanding on Foucault’s self-description as an ‘artificer’. Lots of minor changes, and some more explicit signposting of the argument. More work tomorrow…

Eugen Fink,
Luis Lobo-Guerrero, 


Jonathan was part of a group of Berkeley students who met with Foucault alongside his lecture course on parrēsia (published as Fearless Speech and recently published in a French critical edition). One photograph of this group, with the cowboy hat they gifted Foucault, can be found in Didier Eribon’s biography. Another photo, taken a few moments later, is published for the first time in this article. Jonathan is two to Foucault’s left. I say more about the group and what they did and had planned with Foucault in