Cartographic mirages: Ferretti on Blais

Hélène Blais’ Mirages de la carte reviewed at the Society and Space open site.

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Wendy Brown, David Held, Claire Colebrook, Elizabeth Ferris – Keynote lectures – live-streamed from Durham

Wendy Brown, David Held, Claire Colebrook, Elizabeth Ferris keynote lectures live-streamed from Durham conference on Human migration and the environment: futures, politics, invention.

Durham University – 29 June – 1 July 2015.

Conference keynote lectures live-streamed on YouTube: http://www.durhamconference.eu/keynotes/

Professor David Held – Monday 29 June 9:30 am (GMT)

Professor Wendy Brown – Monday 29 June 4:45 pm (GMT)

Professor Claire Colebrook – Tuesday 30 June 4:45 pm (GMT)

Elizabeth Ferris – Wednesday 1 July 9:00 am (GMT)

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Political Geography seeks two new Associate Editors

Political Geography seeks two new Associate Editors – details here.

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Félix Guattari on writing Anti-Oedipus in The Paris Review

guattari-movieFélix Guattari on writing Anti-Oedipus in The Paris Review (via critical-theory.com).

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Future imperfect and tense

Derek Gregory rounds up three books on ‘later modern war’.

Derek Gregory's avatargeographical imaginations

A clutch of forthcoming books on war that seek, in different ways, to illuminate dimensions of what I’ve been calling ‘later modern war’:

Antonia ChayesBorderless Wars (due in August at an eye-popping price from Cambridge University Press):

9781107109346In 2011, Nasser Al-Awlaki, a terrorist on the US ‘kill list’ in Yemen, was targeted by the CIA. A week later, a military strike killed his son. The following year, the US Ambassador to Pakistan resigned, undermined by CIA-conducted drone strikes of which he had no knowledge or control. The demands of the new, borderless ‘gray area’ conflict have cast civilians and military into unaccustomed roles with inadequate legal underpinning. As the Department of Homeland Security defends against cyber threats and civilian contractors work in paramilitary roles abroad, the legal boundaries of war demand to be outlined. In this book, former Under Secretary of the Air Force Antonia Chayes examines these…

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Writing about writing, and writing about theory and the use of languages

Two short pieces recently drafted – a contribution to an edited book on ‘How we Write’, and a piece on the use of other languages in my research. The first is entitled ‘Writing by Accumulation’, and in keeping with the book as a whole is not advice on how to write, but a descriptive piece about how I actually write. But I was struck that I wrote the piece in almost completely the opposite way to how I regularly write – this one was written in one long sitting, and then edited in another long session the next day. Most of my work, as the title suggests, is written little-by-little, built up over time. The second piece is for E-IR, and is an autobiographical piece, entitled ‘Theory and Other Languages’, about how using French and some other languages has been important to my past and ongoing research. It too was written in the faster, consolidated style. That piece should be out in a week or so; the collection on writing is being produced for later this year.

The other current research task is a conference paper on ‘Foucault and Shakespeare‘, which is being slowly built up over time, in much more my usual practice.

Posted in Michel Foucault, William Shakespeare, Writing | 6 Comments

Top posts on Progressive Geographies this week

Heidegger, Axelos, Lacan et al

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Shakespeare in the Ruins – Antony and Cleopatra in Winnipeg

Thanks to ‘Sig Laser’ for sending me details of an interesting site-specific production of Shakespeare’s Antony in Cleopatra. The production is “a story of occupation, set on the pre-confederation plains of Manitoba during the fur trade”. From the accounts in The Winnipeg Free Press comes this description of director Sarah Kitz’s vision:

Her idea — which will debut at SIR’s outdoor home in St. Norbert tonight — was to bring the story to the Red River in pre-Confederation times; Cleopatra and her Egyptians would be represented by indigenous Canadians, while Antony and the Romans would be portrayed as European fur traders.

“It shows us how relevant the play still is, because we are living in the colonial after-effects in this country,” she says. “Winnipeg predominately, and Canada at large, is really waking up to this conversation, so the timing of this show is quite spectacular in that way.

“It’s one more example of how Shakespeare can continue to be relevant when we are able to use his play as a frame for what is happening now.”

//players.brightcove.net/1465426594/default_default/index.html?videoId=4273996026001

Antony & Cleopatra short preview video.

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Shakespeare’s Richard II by Scena Mundi at St Bartholomew the Great church

Quire_From_Choir_Stalls_Frontal_Gold_GreenLast night I went to see Shakespeare’s Richard II by Scena Mundi at St Bartholomew the Great church in London. A stunning setting and an exceptional performance. Richard II is a wonderful play and it will be the focus of a chapter of my planned book on Shakespeare and territory. (You can listen to the audio recording of a lecture I gave on the play at Purchase College, SUNY in April 2015 here). The space of the church was used to very good effect in this performance, and I thought Pip Brignall as Richard and Graham Pountney as John of Gaunt, the Bishop and the Gardener were especially good.

The play is paired with Christopher Marlowe’s Edward II in a season on ‘sad stories of the death of kings’. I’ll be going to Edward II later this month. The audience was very small, and the company deserved much better. If you’re in London, do pay them a visit – highly recommended.

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Foucault Studies 19 now out – special issue on Disability and first English translation of Foucault’s ‘Standing Vigil for the Day to Come’

cover_issue_577_en_USFoucault Studies No 19 is now out. It is mainly a special issue on Disability, but includes a number of separate essays, reviews and the first translation of Foucault’s ‘Standing Vigil for the Day to Come‘, a 1963 review essay of Roger Laporte’s La veille.

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