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Douglas Kellner interview at Figure/Ground
Interesting and wide-ranging interview here
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Mark Purcell on writing – I do the “re-read yesterday’s writing” thing first off, but sometimes end up spending most of the time adding, editing, cutting that, rather than forging ahead. But I do think it’s invaluable as means of picking up the threads from what came before. That said, I rarely write in a simple linear fashion.
I just ran across this post on writing, via Progressive Geographies. One of the things I found worth noting was Simone de Beauvoir‘s comment that before she began writing she spent a half hour reading over what she wrote the day before. I guess this is just common sense, and maybe everyone who writes seriously does this out of habit, but since I tend to be impatient, over-eager to start producing when I sit down, I fail to practice this good habit more often than not. I am going to try to do better.
A more theoretical point comes from the discussion between Jonathan Lethem and Paul Auster:
JL: For me, five or six hours of writing is plenty. That’s a lot. So, if I get that many hours the other stuff feels satisfying. The other stuff feels like a kind of grace. But if I…
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Object-Orientated Literary Criticism
In the latest issue of New Literary History, Graham Harman, Timothy Morton and Jane Bennett discuss object-orientated literary criticism.
Harman’s piece begins with an overview of his approach, which is a useful starter for those unfamiliar, but moves into criticism of other literary approaches including New Historicism and Deconstruction. One short passage:
The call for “the death of the author” needs to be complemented by a new call for “the death of the culture.” Rather than emphasize the social conditions that gave rise to any given work, we ought to do the contrary, and look at how works reverse or shape what might have been expected in their time and place, or at how some withstand the earthquakes of the centuries much better than others. To call someone “a product of their time and place” is never a compliment; neither should it be a compliment when aimed at a literary work.
[Update: While the pieces are subscription only, they have been uploaded here.]
Łukasz Stanek – Henri Lefebvre on Space
I finally got round to reading Łukasz Stanek, Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory, which has been out for a little while. The book is extremely well researched, and filled with interesting discoveries from archives and through interviews. The key addition the book provides is to ground Lefebvre’s work on space and the urban in the empirical work he was involved with in architecture and urban planning. This adds a valuable counterbalance to work that seeks to understand Lefebvre’s theories on space in their conceptual and historical context. I don’t agree with the claim on the backcover of the book that the “prevailing view… reduces Lefebvre’s theory of space to a projection of his philosophical position”. My sense is that the attempt to see his theory of space as philosophically grounded – something I attempted in my Understanding Henri Lefebvre – is far from dominant and not discussed nearly as much as it should. I think much work on Lefebvre sees his claims as operating without any context – historical, political, empirical or conceptual. In my book I tried to show how the work on space developed out of two key strands – his work on the urban and the rural (the latter largely neglected in anglophone debates, though Nick Entrikin has done some interesting work on this); and his philosophical work. Stanek provides a major contribution to the understanding of the first of these, but I see them as complementary, rather than opposed, contextualisations.
One of the most interesting bits of the book is in the closing few pages, when Stanek discusses a manuscript Lefebvre wrote entitled Vers une architecture de la jouissance in 1973 – immediately before The Production of Space. Stanek is editing this manuscript for publication, and it is likely to be a really important addition to what we know of Lefebvre’s work in this field.
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Heidegger and Schmitt correspondence (again)
Twenty-five years after they first published it, Telos are again highlighting the letter Martin Heidegger sent to Carl Schmitt in August 1933. The point of the letter was to thank Schmitt for sending a copy of The Concept of the Political. After praising the reading of Heraclitus, Heidegger signifies he doesn’t have time to further comment on the text, making the quip that “But now I myself am in the middle of polémios [war] and all literary projects must take second place”.
In the 25th anniversary commentary on this piece, Juan Carlos Donado discusses the piece, and makes something of the notion of ‘war’. Given the year, that Heidegger was then Chancellor of Freiburg, a political post, and had recently joined the Nazi party, this is significant – he is describing his political actions as ‘war’. Or so we would be led to believe.
Except Heidegger doesn’t say ‘war’ – that’s the translator’s additional gloss. And he actually says pólemos and not polémios.
The term Schmitt uses as the Greek notion of enemy is polémios – is this the reason for the translator error? Heidegger says pólemos. Given what Schmitt makes of this notion there appears to be a relation at stake.
Donado says the fuller discussion of the fragment can be found in the 1934-35 course on Hölderlin. There is a discussion there, as there is in multiple courses, but the key discussion of the notion of polemos, in this fragment of Heraclitus, actually comes in an earlier course from 1933-34 – contemporaneous with the letter and the political involvement. [This has been published as Sein und Wahrheit (GA36/37), recently translated by Gregory Fried and Richard Polt as part of the Being and Truth volume – German pages 90-1; English 72-73.]
Heidegger says that the standard rendering of polemos is as “Krieg, Kampf [war, struggle]”, but then goes on to clarify what he thinks it means: “This does not mean the outward occurrence of war and the celebration of what is ‘military’, but rather what is decisive: standing against the enemy. We have translated this word with ‘Kampf [struggle]'”. Heidegger goes on to clarify how he means this to be understood – not as competitive, friendly, struggle – agon; “but rather the struggle of polemos, war”. So he brings ‘war’ back in, but only to clarify what he understands by Kampf. He links it to his notion of an Auseinandersetzung – a setting-apart-from-another – and notes it is directed against an enemy, though his enemy is not named.
Indeed, Heidegger more commonly sees polemos as Kampf, struggle. He translates it that way in the 1934-35 course on Hölderlin (GA39, 125) and in the 1935 course An Introduction to Metaphysics understands polemos as Kampf, as Streit [strife], and says it is “not war in the human sense” (GA40, 47, etc.).
Obviously, enemies, struggle etc. link to some deeply unpleasant connotations – Schmitt with the first; Hitler with the second. It remains crucial to think through and work through Heidegger’s politics. But being critical of his political involvement requires more careful reading than this poorly researched piece. Fortunately the original Telos publication is bilingual, with the German text in a note, so we can see what Heidegger actually wrote, although I suspect relatively few would check.
[This draws on the discussion in my Speaking Against Number, pp. 84-85, updated in relation to the publication of Being and Truth]
Environment and Planning A theme issue on Future Geographies
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Mark Purcell on Lefebvre’s spatial revolution
Another excerpt from my book, which is now “in press,” on Henri Lefebvre’s understanding of revolution…
For Lefebvre the political project of autogestion and democracy is always also a project to transform the way we produce and use space. He imagines politics to always be spatial, as for example when he imagines a transition from the industrial city to urban society. In The Production of Space he sets out the more general project of moving from “abstract space” to “differential space” (see also The Urban Revolution, pp. 37, 125-127) The former is a space “determined economically by capital, dominated socially by the bourgeoisie, and ruled politically by the state” (Production of Space, p. 227). It is a space of domination that has been expropriated and alienated from users and is controlled by a heteronomous elite. Abstract space reduces space to its economic function as either a means…
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